In recent years, real crime It has managed to establish itself as another aspect of entertainment in our homes. From podcasts to soap operas, including the huge rise of documentaries, major platforms are betting on journalists to give voice again to those who have suddenly lost their voice. one of them is Carles Portathanks to the great success of the program crims The Catalan radio presenter has established himself as the most famous crime presenter in his geography.
Porta returns to Movistar Plus+ on November 13th this year. disappeared in Murcia, A new format to look back on history Ingrid Visser and partner Lodewijk Severeinwho went missing in the Mediterranean capital in May 2013. One of the most popular handball players of his time, the handball player spent four years with the CAV Murcia 2005 team, which was created in 2002 as Groupe Murcia. The economic bubble and brick boom made this handball one of the most relevant teams in the domestic category. However, financial difficulties put an end to him.
In this connection, a new story has developed that the presenter brings to the Spanish audience, and in order to find out more about this incident, he agreed to an exclusive interview. infobae spain. “On this occasion he gathered Three conditions we look for in order to be perfect: Gives access to narrative transformations, visual and sound documentation, and gives access to the story’s immediate protagonists. And in this case, I even got a completely unthinkable interview: Evedust Lifante” he explains in Catalan.
The latter is one of the key parts of the entire conspiracy surrounding the deaths of Visser and Cefelein. Therefore, being able to trust their testimony adds great richness to the story. “he contacted us. Often we don’t call people and they automatically answer the phone, which makes work very slow. Just finding a phone is difficult, takes time, and requires the person on the other end to get to know you. So when I started doing that, I looked for it a couple of years ago, i was in jail. When he came out and found out we were doing this story. He called us and asked to talk. He was very generous in that sense,” confesses Porta.
Gaining the trust of the voices telling the story is not easy, journalists reveal. They want to be heard. “People want to be heard, and if something tragic happened in their life, they want to give their side of the story.” Building bridges with witnesses is therefore critical for the team. We don’t interpret, we tell what they told us, and it usually works. They end up feeling like they are being followed. And they end up socializing their problems and their situations. It’s not easy, is it? Because there are many people who say “no” because it hurts, because they don’t feel like it, or because time has passed. But when they understood our intentions and most importantly saw the program we had, I think we are building trust. “And ultimately it gives you access to a lot of people.”
Having a professional profile is one of the most enriching elements of Carles Porta’s story. “We prefer people who have never been in front of the camera or who are barely dressed, because otherwise you’re talking to a publicist and the publicist is not interested in us,” admits the presenter. On this occasion, Joaquin Martinez He brings a voice of experience as a member of the security forces, which Porta values very much. “We’re interested in real investigators, people who have been on the streets, people who have struggled to solve cases, and we take them out of their comfort zone.”
But delving into the most personal and human levels of the story isn’t easy for the team. “They are They are used to giving statements and statements in court. And we don’t want that. We want them to tell the story from a human perspective, and that’s difficult for them. But they understand who we are, what we are, and how we do it,” he explains, while also saying, “I think we can create trust and free them up and let us tell the story well.”
Missing in Murcia This incident involves an incident of great relevance for Murcian society, which to this day continues to remember with pain the death of one of its athletes who brought many victories to the city. Porta confesses that Ingrid Visser’s international profile was one of the greatest complications of the investigation. “The victim’s family was in the Netherlands and it was very difficult to start it. They didn’t want to know anything, but through intermediaries and friends we managed to talk to them. And they told us: As long as you’re respectful, there’s no problem.” admits the journalist.
On November 20th and 27th, the second and third installments of the new series will arrive on Movistar Plus+. real crime: death in hotel and crime for hire. According to the presenter, contacting relatives was also not an easy task for the team. death in hotel Something similar happened to us as the deceased had relatives in the US. And then crime for hire they were so scared. They are still very scared, but we have found that if we tell them about the incident, their fear becomes socialized. And we shine a light on them as if to say, “Hey, if you know this, you’re a little bit protected.” And this will eventually work and you will be able to communicate it. ”
The key to the success of Carles Porta’s story lies in the balance between the hard facts and the emotions of the protagonists, but the director admits that this is not an easy task to achieve. Law has no humanity, and death has no humanity, even though death is the most human thing in life. People have humanity and when you talk about people and when you deal with people, if you don’t have empathy and put humanity above everything else, what you’re doing is going to get reported to the police or you’re going to be sentenced. And to make a good protagonist, you need to know him and empathize with him. This is a work of years of experience and great respect, without losing the rigor of the investigation, the law, the verdict, everything that has gone before, but without abandoning the humanity. ”
That same sensibility built the team. crims will give a face and a story to portbou girl, unsolved crime 32 years later This event marked the end for his family. “The satisfaction of being able to name a body that has been unidentified for 32 years is huge, especially when you see the peace it brings to the relatives. Even though you know your daughter or sister is dead, you finally know where she is and you finally know what happened to her,” confesses Porta.
“It is clear that we are working towards the public and I want to help the public in a positive way. want to benefit the public. I don’t want sensationalism and I don’t want to cause more damage than is already there. I want to tell good stories so that those with us can understand the problems of those who have spent time in confinement and experienced it firsthand. In addition to that, if we can help solve the case, reopen the case, or move society in a positive way even a little bit, that would be extremely satisfying and already incredible. Besides that They pay money to create this kind of situation “It’s very nice,” he admits.
According to Carles Porta, the audience plays a decisive role in choosing his works. However, they are not always able to meet their wishes. “They call us on a lot of cases, and there are a lot of families with unsolved cases and missing persons. They ask us to make their case, but that’s not our job. We are explainers and narrators, not investigators solving cases. That’s what the police are for, we have prosecutors and judges… We have no such purpose or role in life. ” And he admits, “If we can help, we do it and we try. But getting involved in cold cases often creates false expectations, and I don’t like that. “I’m very reluctant to open an investigation or a case where it’s very difficult to provide any kind of news unless the family asks us to. We can do that with the help of the family and we understand that very clearly, unless the family asks us to.”
Thanks to the rise of real crime In recent years, social networks have also become speakers of stories. Hundreds of content creators specialize in this variation of entertainment, and journalists make their position clear: “I believe that this is the result of a very simple phenomenon: the public. They want good stories and all these people.” Equipped with speakers that make use of the theme. The world is free and they can do what they want. ”But too much information will have an impact on them. that It ends up hurting those of us who are doing our jobs well.. But we also understand that the people are sovereign, have discretion, and can decide what they watch. They can decide to watch Movistar but not watch it on YouTube. Because we know that with us you can find a lot of quality stuff on YouTube. “They’re trying to sell you something very bloody in one way or another.”
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