Paco de Lucía did not have many luxuries in his later years. As has been the case with most of his career, the decision was fraught with trauma, pain and anxiety. He himself explained it in 2004 when he published “” on ABC.good thing” (Universal, 2014), his … Latest Studio Album: “When you move up, there’s no time for fear, because you want to be recognized, you want to make money, and you have the energy of youth. Hunger gives you strength, but once you get to that point, you’re scared to live off your income, and it’s hard to find a reason to stay locked up for 10 hours a day for two years and record new music. With this album, that happened to me, more than anything. The ocean is right in front of you, and you can sit in a hammock while holding a daiquiri.».
Three years ago, his widow Gabriela Canseco also wrote in this newspaper about the “crucifixion” the guitarist experienced every time he faced a new job: “It was a silent torment. It didn’t bother anyone. But it was clear: “When he came out of the studio, he ate food and felt sick because of his nerves.” Perhaps that’s why Paco de Lucía has only published this album since 1998. Move forward to explore common places and see if you found minerals that no one has ever found before. “It sounds old, but let’s make it new,” the guitarist explained of the album, which Universal had just reissued 20 years later.
The teacher of Algeciras, winner of the Prince of Asturias Art Award, has earned the right to a more peaceful life and has decided to retire to a place far from the roads that take him from one place to another and from the usual commitments, in order to create this latest work. He enjoyed the process so much that he was not afraid to do things he had never done before, such as singing himself for the first time as the lead in the Bulería por Solea, dedicated to his youngest daughter. ”Antonia‘. He also dropped his usual promotional antics and recorded a tango video clip, which gave the album its title. And above all, “Resurrected” Camarón de la Isla Thanks to technology, we also include an unreleased track of his voice on the bulería “Que ven el Alba”.
De Lucia was also invited. tomato In this song he plays the guitar and recalls the historic collaboration of the most famous trio in the history of flamenco. “It was incredibly emotional,” the Almería-born guitarist recalled in a booklet accompanying the album by journalist Nacho Serrano. As we were listening to Camaron’s recording in the studio to see how the guitar was made, Paco turned and looked at me and I saw his tears welling up. Then he said to me in a broken voice: We were silent for a while. It makes me so sad when I think back on it, but it was one of the most overwhelming moments of my life.
The author of “Between two Waters” composed this song in Mexico. Rather than take shelter in Playa del Carmen, where his other great works took shape, he bought another house 30 kilometers further south in the town of Xpuha. It could only be accessed by crossing a jungle far from the main road. he, “Uncle Pring’s Gang”spent months with his closest friends relaxing in the sun, fishing in the ocean, playing pool at a nearby beach bar, and making home movies. However, when it came to making music, he took it seriously. When he finished forming the four bulerias, two rumbas, tangos and tientos, he traveled to Batanes, near Madrid, to work with Javier Limón. Javier Limón had yet to win his 10th Grammy Award, nor had Bebo Valdez and El Cigala’s platinum record for “Black Negro.”
Antonio “El Negro” and Guadiana also stopped by Casa Limón and performed a piranha accompanied by handclaps, choruses and percussion. Sung by Diego El Cigala, Monse Cortés, La Tana, Potito, and Ángela Bautista, guitarists Juan Danielica and Alejandro Sanz were originally scheduled to provide the voices, but their voices became hoarse and they ultimately contributed by playing the Cuban tres on “Casa Bernardo”. “I remember the day he arrived perfectly,” Limón tells Serrano. At some point during the session I ran out of cigarettes and Paco asked me to go to the tobacconist. When I opened the door, Alejandro appeared with thousands of girls. I’m not saying a thousand words, at least a thousand girls were screaming. Paco came over to check on us and Alejandro started taking pictures and signing autographs while we burst out laughing.
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