springsteen He keeps running everywhere all his life and always arrives everywhere on time. He’s not going to retire because that’s his job. His legendary factory is always running, even in the middle of the night, and it makes a noise like gasoline. … To steel and salvation. it is the last rock hero He still seems to be hoping to earn his first bite of business the next morning. That in itself is news, and giving it a gloss is like starting to write about Shakespeare or Picasso, but it’s like starting to write about Shakespeare or Picasso with an electric guitar.
He has the face of a day laborer who knows how much a liter of hope is worth and how much it costs to make a song. He sweats on stage, like a great bricklayer. Splinstin is now nearly 80 years old, and although he is a bit of an outcast, he continues to maintain his place in the rankings. 3 and a half hour concertas if the lock were a physical contract, an evil debt that would never be paid off. There is resistance in him, but there is also faith. I mean, he’s a rocker, he’s not a rocker. Because he is rather a devotee who still believes in salvation through Locke. song of apotheosis.
His songbook is a collection of secular gospel. There they talk about closed factories, abnormal highways, boys leaving and girls waiting next to old cars. With “Born to run,” everything was already there: the escape, the sense of urgency, the love of gasoline. But there was also a condemnation of living, since there is no non-circular escape. Springsteen wrote and composed for people who dreamed of leaving, knowing they would definitely come back. Their rock and roll is a mirror. working class appearance noble and tragic, dirty and bright.
He knows his youth won’t come back, but his youth will come back. There is usually a concert every night if there is one. He’s not retired yet, old man. I’ll never leave you
His was never a rebellious attitude, but rather a loyalty to ordinary people. In the ’70s, when Bowie was flirting with the stars and Dylan was writing mysteries, Springsteen was writing about his turbulent life. And there it remains gloriously monotonous. In an artificial age, he chose primary emotions. He shamelessly disrobes, revealing an eternal portrait: a white T-shirt, a worn-out Telecaster, and a voice that digs into his soul. Where Jagger represents excess and Clapton represents self-absorption, Springsteen trains the etiquette of effort. He doesn’t brag about being a rock god. He still operates every night as if he has to win the title. While guitar solos faded and pop music congealed into algorithms, he continued to write paeans to actual roads, rain and dust, toll roads and truck-carrying roads. Their influence lies not in rock’s sacred alphabet but in old radio. woody guthrierecorded by Chuck Berry as a night shift worker who unknowingly whistles through the Badlands.
Then there is longevity. of Springsteen’s longevity. We are faced with a physical and moral mystery. There’s something about him like an emotional athlete and a waste of his soul. The energy of staring at the front row took to the stage, as if there was a captivating girl there. He sang with the same intensity, with the same tenderness, both the country that invented him and the country that disappointed him. Today, amid all the “playback” and screen hype, watching Springsteen perform Springsteen is a brutal monument to his memory. cannibal rock and rollbrotherly and human. He knows his youth won’t come back, but his youth will come back. There is usually a concert every night if there is one. He’s not retired yet, old man. It will never go away. Keep the spirit in your t-shirt and your faith connected through the storm.
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